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If you look at some of the research of Skylar Tibbits and the Self-Assembly Lab, among other people interested in the behavioral quality of materials, there is much research being done in this arena you can imagine that, over time, we may be able to gauge the properties of certain materials and how they react to wind, air, moisture and temperature, and to imagine that much can be optimized if seen through a micro-lens that is much more targeted. Tehrani:By operating at the nano-scale, and the adoption of new materials, one can potentially develop infinitely small relationships in the constitution of new products that, for instance, may react to the heat and cold at the cellular level. #HOME DESIGNER ARCHITECTURAL 2014 WINDOWS WINDOWS#Will windows inherit the current form that has been historically or culturally cultivated, or will they be changing rapidly with these new technologies? Nousaku:You mentioned the nano-scale in relation to new technologies. So, this is a piece of research that clearly is already underway. #HOME DESIGNER ARCHITECTURAL 2014 WINDOWS HOW TO#The arena of technologies has also expanded its range from the traditional domain of the material sciences to engage at the nano-scale-effectively, how to transform the performance of the window-wall in relation to moisture, light infiltration, the passage of air, and insulation, without necessarily adopting the sheet products that are conventional composite of wall sections today. So, I think that the way you insert culture into the question may be important. In other words in different cultures, the idea of fenestration has a section that works in relationship to customs, rituals and other social motivations, often mediating between the public and the private. The corollary to that in Islamic culture, albeit fundamentally differently, is the mashrabiya, whose patterned woodwork not only protects the interior from the sun, but also created a protected space, an extension of cultural conventions that separate the private from the public domain, spaces of men and women, and other such proprietary protocols. ![]() It partakes in the social decorum of engaging the street while being on the interior. Itʼs a social space, like an inglenook, as the threshold between the inside and the outside. But also the window, as framed in your question, is also not merely a sheet of glass, but can be seen as a conceptual space in itself.įor example, the English Bay Window is not just fenestration. So, how you define that space may give it other cultural opportunities. So, one cannot underestimate the importance of the role of the window as a piece of technology.īut also the window, as framed in your question, is also not merely a sheet of glass, but can be seen as a conceptual space in itself. The majority of the loss of energy in buildings happens at the fenestration, not in the wall section-either because the wall section has insulation or sheer mass- both of which mitigate the potential of loss. First, from a technological point of view, the advances already made about the transmission of cold and heat-helping to separate the inside from the outside-has had a huge impact in this vulnerable moment where energy is so much part of a larger cultural cause, you can imagine that the reduction of energy use could have even more radical implications. ![]() Nader Tehrani (hereinafter referred to as Tehrani): I suppose there are many ways of responding to this. He is interviewed by Fuminori Nousaku-a Japanese architect who has drawn attention as one of the participating architects of the Venice Biennale 2016-about the future of “windows” in the context of drastically evolving technologies.įuminori Nousaku (hereinafter referred to as Nousaku): How do you think that windows can be changed through new technologies and materials, and at the same time, how can windows connect to modern technologies where architectural intelligence has been cultivated throughout human history? Chanin School of Architecture of the Cooper Union. Nader Tehrani is an Iranian-American designer who has completed numerous architectural projects worldwide. Having served as the Head of the Department of Architecture at MIT from 2010 to 2014, he is now the Dean of the Irwin S. ![]()
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